Now let's proceed to analyzing the center of the composition. There is an optical center in the middle - you will notice that the center of the composition, the major element will never be placed there, otherwise the scene will look artificial. The center of the composition will always be the most striking element, and the rest will just serve to make it more expressive. The artist may use various means to achieve this effect - the color contrasts, light and shade effects, size of objects and distance between them. Secondary elements are depicted with less detail and vigor - they have to bring forward the center, not block it. Notice the way your eyes travel the painting - intuitively you will start at the center and will proceed to the rest of the elements to refine the story. OK, let's get started. Step one...supplies. You need a flat brush, a fan, a small detail brush and a couple of Filberts. A filbert is a rounded edge brush that lets you maneuver the paint easily without going outside the edges. Ultimately buy brushes that you like though, and make them work. Fans allow you to blend, for example. I use fans a lot and it's how I graduate color throughout my images. Everything I paint is by hand....no airbrushing or assistants. I want it to be an expression of me and nobody else. You also need an oil painting medium to mix with the oil paint to make it more fluid, and to speed or slow the drying process. Whichever you prefer. Go to the art store and don't be afraid to ask for help....they'll love helping you! A medium is merely an additive liquid which increases gloss, makes it flow easily, preserves the finish over time, keeps it from yellowing. I personally love Galkyd and Galkyd Lite. If that isn't available, buy a medium that looks like liquid amber and is kind of thick. Don't buy watery looking mediums....too hard to work with. Limewash - Made from slaked lime and water, this paint is good for porous surfaces such as brickwork, render and plaster and gives a chalky finish. It is available from specialist companies.
How Much Paint You Really Need. How much paint you will need to satisfactorily complete a paint project is determined by 2 factors. The first, paint coverage, is a familiar concept to most people. It simply concerns the square footage of surface area to be painted, and "paint coverage calculators" abound on the web. However, the second concept, paint color coverage, has a much more pronounced effect on how much paint will be needed and the cost of paint projects. Unfortunately, paint color coverage is a novel concept to many painters and, in fact, is poorly understood even by many professionals. Knowing the secrets of paint color coverage will allow you to reduce the number coats you have to apply and minimize how much paint you have to buy. Jaipur School: Gods and goddesses, kings and durbars are very attractively painted on hand made papers by the artists. Types of Paint. Water-based paints are usually referred to as emulsions and were traditionally used only for interior walls and ceilings. But recently tremendous advances in paint technology mean that water-based formulas, especially the high-performing acrylics, are available for all surfaces, from woodwork to metal, and for interior and exterior use. The advantages of these paints over oil-based ones is that they are cleaner, have less odour and are more environmentally sound. Brushes can be rinsed clean with water. The stencil must be held very firmly against the surface with one hand, and the stencil brush worked over it quickly with the other hand. Or, if you have an assistant, it is best for one person to keep the stencil steady, while the other does the painting. In removing the stencil, make sure you pick it up without smudging.