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Eggshell paints provide a smooth and low-sheen finish. Paints that are smooth and low-sheen that is ideal for your living rooms, dining rooms, bedrooms, and dens. It is washable and ideal for bedrooms, hallways, home offices and family rooms.
Materials and their application, every paint manufacturers paint will vary. If you are freshening up old walls and painting back to the existing color, the product doesn't have to be high end or have good coverage. If you need to paint a dark color over light color or light color over dark, you may want to consider purchasing a top quality paint to avoid multiple coats. I suggest Valspar, Pittsburgh or Benjamin Moore top of the line wall paint. These brands work well for straight out of the bucket use and are application friendly. Sherwin Williams is not my first choice because the coverage is poor and you will have to apply multiple coats but, it does apply, fluently. If you find a product does not apply well, maybe it is to heavy and/or sagging on the wall, you may need to thin the paint with a little water, this will reduce the coverage but make the paint flow better and lay down nicer on the surface. I do recommend latex paints for all applications, these days a good high end latex is as good as oil paint and your tools clean up much easier, it will also be less harsh on the respiratory system. The only situation I recommend oil paint, is as a primer/stain blocker over stains that "bleed" through the paint. You can get a stain blocking oil primer in a convenient spray can and spot prime any trouble areas before painting and in the case you need to prime all of the wall due to smoke or water damage, I recommend getting it in gallons and rolling it on where the stains are present. Don't forget proper ventilation and/or a respirator when using the oil based primers!
White color symbolizes the purity, immaculateness, innocence, virtue, and joy. It always inspires, helps, fills you with faith. White means absolute freedom from obstacles and freedom for all possibilities.
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Painting in oil has long been a mysterious process the public has believed was relegated to the few and the eccentric. Artists and their lives have always been an unusual breed, but painting a large body of original oil paintings has also been a sure-fire way to drive oneself into immortality. The paintings will always be there, traveling through history, with your name on it! So by this definition it's definitely a noble profession. Think Dali, van Gogh, Picasso, Rembrandt and da Vinci. Each enjoys a lofty reputation for what others might consider crafts. And their reputations only grow bigger over time. What other profession offers that possibility? So who got the last laugh? Well, van Gogh did, of course. He's forever immortalized as one of the greatest humans to have ever lived. Not bad for someone who never made a dime in his own lifetime. But in the age of the Internet and the worldwide marketplace, artists don't have to starve anymore. I'm not starving, and I'm making money doing what I love. I can also work anywhere, whether I'm on vacation or traveling to exotic locales. I love that the most about it. I can do whatever I want and wherever I want, and post a painting for sale from Ibiza, Paris, London.... or Omaha. I wouldn't trade with anyone. And you won't either if you work at it and treat as a way to offer beauty to the world and get paid for it!
Spend some time talking to the shop manager. He should have the time to thoroughly go over your options and explain their service and pricing. Be clear on what they're doing exactly. Will they scuff your existing paint? Will they be spraying primer? Are they OK painting any loose parts like bumper-ettes? If you're changing colors be sure to discuss the door jambs, trunk area and underside of the hood. Also, get instructions from the shop in writing for proper care of your fresh paint. It will include the number of paint curing days before you can wash it, wax it or let it sit out in the weather.
OK, now let it dry overnight. The next day....or whenever you get around to it....mix a lot of Galkyd with just a little bit of color and glaze it over the first layer. Layer upon layer....allowing each layer to dry... is what makes paintings look finished and interesting and expensive in my view. Certainly you can paint wet on wet, as van Gogh did. But that's a much harder proposition we'll talk about later. You can put as many layers as you wish until you get your desired look. A thin glaze of Galkyd with just a little black works great on top of any dried color underneath. It give it an antique and finished look. But be careful not to add too much black. Don't worry, if you put too much just wipe it off and start over. That's the great thing about oil is it dries slower and you can tweak, correct, start over before it dries. Tip: a thin layer of yellow glaze looks good on top of almost any color too. A thin glaze of green looks good over blue, a thin glaze of blue looks good over purple. But ultimately you can pick and choose and experiment with which color to add to your glazes. There are no rules. Invent ones of your own. A thin glaze of yellow on top of a dried layer of red looks awesome. A thin layer of yellow on boring brown make it look like expensive and not-boring brown. You get the idea. But make the process your own and have fun with it. No one will ever do it quite the way you do, and that's what's interesting about the process.
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