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The first step is to cover the surface with a coat of paint, using your regular paint brush, or spray, or roller. Then, while the surface is still wet, take the dry stipple brush and energetically with short strokes drive the ends or the bristles into the wet paint. Be sure not to brush across. The result will be clusters of dots. Every few minutes wipe the brush with a cloth, to keep the bristle ends clean and dry.



Try before you buy Colour cards are fine for making an initial selection but you will want to see a true paint sample in situ before committing. Tester pots vary in price from £1 to £4. Paint onto a sheet of paper that you can move around the room to enable you to see the colour in different light conditions. The effect varies greatly. The window wall can seem dark while the wall opposite will be flooded with light. And of course there is a dramatic difference between natural and artificial light. Finally paint a patch directly onto the wall to gauge the colour, coverage and the final finish.



Some acrylics are also recommended for exteriors (over the same kinds of materials as vinyl paints). Here it has a big advantage - you don't have to pick your painting weather so carefully. It can be applied on humid days and in cold seasons, so long as the temperature is a few degrees above freezing.


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Dogs Playing Cards. If you live in the United States, you have seen and most likely own at least one depiction of the famous Dogs Playing Cards paintings that were painted in the early years of the Twentieth Century. Did you know that there are actually sixteen of these paintings altogether? They were commissioned in 1903 by a company called Brown and Bigelow to be used as advertising for their cigars. The artist, C.M. Coolidge, had no idea that his works would become famous American icons. Though considered relatively cheap home décor today, the original oil paintings are worth quite a bit. On February 15, 2005, the originals of two in the set, A Bold Bluff and Waterloo, were auctioned together for $590,400. Before that time, the most ever paid for a Coolidge was $74,000.



Get Expert Paint Colour Advice. Thousands of shades may offer unparalleled choice, but of course it can be harder to pinpoint the right one for you. Dulux has responded with the Tailor Made range, which offers an easy-to-use colour-scheming chart that works with the 1,200 shades available to mix in-store.



OK, now let it dry overnight. The next day....or whenever you get around to it....mix a lot of Galkyd with just a little bit of color and glaze it over the first layer. Layer upon layer....allowing each layer to dry... is what makes paintings look finished and interesting and expensive in my view. Certainly you can paint wet on wet, as van Gogh did. But that's a much harder proposition we'll talk about later. You can put as many layers as you wish until you get your desired look. A thin glaze of Galkyd with just a little black works great on top of any dried color underneath. It give it an antique and finished look. But be careful not to add too much black. Don't worry, if you put too much just wipe it off and start over. That's the great thing about oil is it dries slower and you can tweak, correct, start over before it dries. Tip: a thin layer of yellow glaze looks good on top of almost any color too. A thin glaze of green looks good over blue, a thin glaze of blue looks good over purple. But ultimately you can pick and choose and experiment with which color to add to your glazes. There are no rules. Invent ones of your own. A thin glaze of yellow on top of a dried layer of red looks awesome. A thin layer of yellow on boring brown make it look like expensive and not-boring brown. You get the idea. But make the process your own and have fun with it. No one will ever do it quite the way you do, and that's what's interesting about the process.