Now let's proceed to analyzing the center of the composition. There is an optical center in the middle - you will notice that the center of the composition, the major element will never be placed there, otherwise the scene will look artificial. The center of the composition will always be the most striking element, and the rest will just serve to make it more expressive. The artist may use various means to achieve this effect - the color contrasts, light and shade effects, size of objects and distance between them. Secondary elements are depicted with less detail and vigor - they have to bring forward the center, not block it. Notice the way your eyes travel the painting - intuitively you will start at the center and will proceed to the rest of the elements to refine the story.
Once the drywall compound/spackle has had sufficient time to dry, you will need to lightly sand the surface of the repair to smooth out any ridges that may have been caused while "coating" the patch. Once you have the surface sanded smooth, take a wet sponge or cloth and, by lightly washing/rubbing, blend the outside edge of the drywall compound/spackle back into the wall. For a smaller repair, you can wash away the excess drywall compound, leaving only the compound/spackle only in the area where the indent was filled. For a larger hole, after filling, sanding and using a wet sponge to blend the outside edge of the compound back into the wall, it may be necessary to texture the area in order to give the smooth patch the appearance of the existing wall.
We use two eyes to read and the part of our brain that develops our language and auditory processes is on the opposite side to where our visual perception develops. We need visual perception to recognise the written letters and auditory processing to convert them to the sounds and words they represent. Therefore, we need good communication between both sides of the brain; this is bilateral integration. Children begin to develop bilateral integration through movement and playing in their environment with different objects and obstacles.
Blue Dogs and the Legend of Loup Garou. In 1992, George Rodrigue, a Cajun artist from New Iberia, Louisiana, painted a series of paintings called The Blue Dog Pictures which were made popular by an advertising campaign done by Absolute Vodka. The blue dog has popped up in numerous other venues since then, but it wasn't created for commercial purposes. Rodrigue based his paintings on the Cajun legend of Loup Garou, the werewolf that is said to haunt the swamplands surrounding Acadiana and New Orleans. Parents teach their children morality lessons using the character and the commercial use of the blue dog has softened its image, but both Cajun and ancient American Indians still declare there's a factual basis for the story. Is there a werewolf in the bayou?
In symbolism you do need to look for the hidden meaning, and it's absolutely pointless in pop art, op art, art nouveau or hyperrealism. Each style and genre sets forth its requirements, so brush up on the movement the artist belongs to before you proceed.
To balance, you must grasp the interconnectedness of color schemes. All these interactions are defined in the color wheel, and it has been used to build color schemes for centuries.
Verbal skills and Language: Children playing are constantly talking, either with themselves, explaining the aspects of the imaginary situation, or with the other children involved. Researchers have found that less verbal children speak more during imaginary play. In imaginary play, children are therefore experimenting with and developing their language and communication skills.