If rubber-base paint has been used, the caustic soda treatment may not be effective and it may be necessary to use an organic solvent type of paint remover. Caution: - When using caustic soda or lye, avoid splashing eyes, skin, and clothing.
If you have a vinyl top then remove the molding separating the vinyl and paint. Drip rail chrome really should be removed also, but can be extremely hard to take off undamaged. If you plan on buying all new drip molding then definitely remove the old for painting. But if you want to keep the originals then it might be better to leave them on and let the painter mask around. If you have hub caps it's easy to just take them off. While the paint shop should completely mask all four tires, overspray can still find its way in. It's sometimes better to play it safe and just remove wheel covers.
You can use vinyl on almost any exterior except previously painted wood. It works fine on wood shingles and shakes, asbestos shingles, brick, stucco, concrete and masonry blocks. One manufacturer says you can even put it on wood clapboard if the clapboard is new and unprimed.
However, for the more discerning, Dulux Kitchen & Bathroom paint can be mixed in any one of its 1,200 colours, and Farrow & Ball is launching Modern Emulsion. Designed to complement its original Estate Emulsion, the paint has a slightly higher sheen, is fully washable and available in the full colour range.
Hair colors come in categories of : Temporary, demi permanent, semi permanent, permanent. Each color line has recommendations on the categories and of uses of their particular types of hair colors. Each line has color enhancers, color glosses and so on. I recommend you have your stylist or colorist educate you on the types she or he will be using on your hair and why. This will help you when choosing shampoos and conditions that will help maintain your hair color between coloring services.
First consider the size of the painting. The more impressive the subject, the higher the emotions it appeals to, the bigger it is. Religious, mythological paintings are often huge - their massive energy makes you shiver. It is pretty understandable with figurative paintings like Rafael's "The Sistine Madonna", and more subtle with color field paintings of Mark Rothko. People are often overwhelmed with religious tremor in the presence of his artwork, and the size factors in. Also, the subject often calls for larger canvases - battle scenes need space and cannot be fitted into a smaller painting, while some subjects will get lost unless depicted in a smaller size.
The perspective. Do you feel the distance between you and the painting? Are you an observer or a participant? The way you feel is dictated by the artistic choice - it's never a coincidence. An artist thoroughly selected the angle: you may look upwards, or downwards, or be at the same level with the objects depicted. If the horizon is at your eye level, the impression you will get is calm, stable. The high horizon will reveal more space, in landscapes it provides a majestic view. Paintings with the low horizon, so common with Dali, are monumental, highlighting the size of the objects and figures. The unusual views of Paris by Pissarro appeared as he painted from the hotel rooms.