OK, let's get started. Step one...supplies. You need a flat brush, a fan, a small detail brush and a couple of Filberts. A filbert is a rounded edge brush that lets you maneuver the paint easily without going outside the edges. Ultimately buy brushes that you like though, and make them work. Fans allow you to blend, for example. I use fans a lot and it's how I graduate color throughout my images. Everything I paint is by hand....no airbrushing or assistants. I want it to be an expression of me and nobody else. You also need an oil painting medium to mix with the oil paint to make it more fluid, and to speed or slow the drying process. Whichever you prefer. Go to the art store and don't be afraid to ask for help....they'll love helping you! A medium is merely an additive liquid which increases gloss, makes it flow easily, preserves the finish over time, keeps it from yellowing. I personally love Galkyd and Galkyd Lite. If that isn't available, buy a medium that looks like liquid amber and is kind of thick. Don't buy watery looking mediums....too hard to work with.
Airless Tip: If you have somebody who can start masking off the trim, have them start on that while you convert the airless to a new color. When changing colors with an airless paint sprayer it is a good idea to have a second bucket filled half way with clean water. Place the intake hose in the clean water gently without getting the old color everywhere in the water. Take the tip out of the airless and spray all of the old paint out of the hose and back into its original paint bucket. Be careful when doing this that you recognize when the paint starts turning watery. When it does point the gun into the first bucket and spray until it looks pretty clean. It doesn't need to be perfectly clean. When it looks good, clean off the intake line in the clean bucket and get the old color off the intake line. Now place the intake line inside of your new trim paint.
Try before you buy Colour cards are fine for making an initial selection but you will want to see a true paint sample in situ before committing. Tester pots vary in price from £1 to £4. Paint onto a sheet of paper that you can move around the room to enable you to see the colour in different light conditions. The effect varies greatly. The window wall can seem dark while the wall opposite will be flooded with light. And of course there is a dramatic difference between natural and artificial light. Finally paint a patch directly onto the wall to gauge the colour, coverage and the final finish.
Have plenty of newspaper around. After you clean your brushes wrap them in a plastic bag.
Use Tinted Primer for Dark Paint Colors.In our second case, suppose you want to apply a deep, dark blue to a beige wall. The good news is that it will be easier to darken a light color than it was to lighten a dark color. In fact, it may only take 2 - 4 coats to get total color coverage in this scenario. The bad news is that if you start out with a white primer you are already moving in the wrong direction. Doing so could increase the number of paint coats you need to 3 - 6... plus the coat of primer! That's a lot of painting!
For localities where such conditions exist, self-cleaning paints should be selected. These paints are usually so designated on the label. Concrete, plaster, and metal surfaces each present special problems in painting. For instance, paint for use on masonry or new plaster must be resistant to dampness and alkalies, and paints used on steel must have rust-inhibitive properties.
Now take a look at the form of the canvas - you might take it for granted, but it does influence the subconscious feeling you get when enjoying a piece of art. Round and oval canvases produce the impression of serenity and completeness, they are often picked for feminine, soft portraits, like Ingre's "Turkish bath". Rectangular paintings - vertical or horizontal - are more complicated. While widely used in landscapes, the horizontal format may serve to diminish the figure portrayed, impose or convey some limits, as you can see in Vrubel's "Demon". Vertical format ensures monumentality and steadiness.