The structure of the ark (and the chronology of the flood) are homologous with the Jewish Temple and with Temple worship. Accordingly, Noah’s instructions are given to him by God (Genesis 6:14–16): the ark is to be 300 cubits long, 50 cubits wide, and 30 cubits high. These dimensions are based on a numerological preoccupation with the number sixty, the same number characterising the vessel of the Babylonian flood-hero. Its three internal divisions reflect the three-part universe imagined by the ancient Israelites: heaven, the earth, and the underworld. Each deck is the same height as the Temple in Jerusalem, itself a microcosmic model of the universe, and each is three times the area of the court of the tabernacle, leading to the suggestion that the author saw both ark and tabernacle as serving for the preservation of human life. It has a door in the side, and a tsohar, which may be either a roof or a skylight. It is to be made of Gopher wood, a word which appears nowhere else in the Bible – and divided into qinnim, a word which always refers to birds’ nests elsewhere in the Bible, leading some scholars to emend this to qanim, reeds. The finished vessel is to be smeared with koper, meaning pitch or bitumen: in Hebrew the two words are closely related, kaparta (“smeared”) . . . bakopper.
Hiding power comes from the paint's pigment and is affected by the manner and thickness of the application. Color retention is the ability to maintain its original color during exposure to sunlight, etc. Chalking resistance prevents the white chalky powder from forming on the surface and lightening the color of the paint. Chalking occur over a period of time. Blister resistance keeps excessive moisture from coming through the substrate and affecting the paint layer. Tip: if paint is applied over a damp or wet surface, blistering is imminent. Like this, it will actually take quite a while to reach a number that is close enough to the yellow color you've chosen that you can't tell any difference (and mathematically, you will never actually reach an average of 4!) When it comes to choosing one's best clothing, accessories and makeup colors, many women are clueless. Some wear colors based on their intuition. Others follow the current fashion trends. Still others wear colors recommended by others. This leads to wrong choices, a less flattering look and wasted money. But, there is no need to guess. Color Me Beautiful, the authority in color, gives us a scientific process for finding the best colors.
Take off the chrome molding around both the windshield and rear window. You can pick up a special tool at your local Mustang shop or by mail order that removes these quickly without scratching paint. Of course your paint is probably not in great shape at the moment, so a large flat screw driver will also do the trick. For some classic cars it makes sense to even remove the windshield, but classic Mustangs have chrome molding that will help cover any slight overspray. The first step is to cover the surface with a coat of paint, using your regular paint brush, or spray, or roller. Then, while the surface is still wet, take the dry stipple brush and energetically with short strokes drive the ends or the bristles into the wet paint. Be sure not to brush across. The result will be clusters of dots. Every few minutes wipe the brush with a cloth, to keep the bristle ends clean and dry. For localities where such conditions exist, self-cleaning paints should be selected. These paints are usually so designated on the label. Concrete, plaster, and metal surfaces each present special problems in painting. For instance, paint for use on masonry or new plaster must be resistant to dampness and alkalies, and paints used on steel must have rust-inhibitive properties. Kangra School: Real gold, stone, and water colors are squirrel-hair brushes are used. Glittering effect is extended using silver and golden colors.