The early development of the Christian liturgical year coincided with the Roman Empire (east and west), and later the Byzantine Empire, both of which employed a taxation system labeled the Indiction, the years for which began on September 1. This timing may account for the ancient church’s establishment of September 1 as the beginning of the liturgical year, despite the official Roman New Year’s Day of January 1 in the Julian calendar, because the indiction was the principal means for counting years in the empires, apart from the reigns of the Emperors. The September 1 date prevailed throughout all of Christendom for many centuries, until subsequent divisions eventually produced revisions in some places.
Paint & Paper Library arranges its colours in five shades from light to dark to help select coordinating colours for ceilings, cornices, walls, doors and woodwork. If you are decorating around bold furnishings, such as a sofa or curtains, look at paint colours from the same fabric house as they are most likely to be sympathetic. First consider the size of the painting. The more impressive the subject, the higher the emotions it appeals to, the bigger it is. Religious, mythological paintings are often huge - their massive energy makes you shiver. It is pretty understandable with figurative paintings like Rafael's "The Sistine Madonna", and more subtle with color field paintings of Mark Rothko. People are often overwhelmed with religious tremor in the presence of his artwork, and the size factors in. Also, the subject often calls for larger canvases - battle scenes need space and cannot be fitted into a smaller painting, while some subjects will get lost unless depicted in a smaller size. "Boxing" is a good method of mixing paints. Since paint is a mixture of solids and liquids, it is important that it be mixed thoroughly before using. To do this, the greater portion of the liquid contents of the can should be poured in a clean bucket somewhat larger than the paint can. Then, with a stiff paddle, the settled pigment in the original container should be loosened and any lumps broken up. After this, mix the material in the container thoroughly, using a figure 8 motion, and follow with a lifting and beating motion. Continue stirring the mixture vigorously while slowly adding the liquid that was previously poured off the top. Complete the mixing by pouring the paint back and forth from one container to the other several times until the entire amount is of uniform consistency.
Concrete Floors. Two general types of paints for concrete floors are varnish and rubber-base paint. Each has its limitations and the finish cannot be patched without the patched area showing through. Floor and deck enamel of the varnish type gives good service on concrete floors above grade where there is no moisture present. You can tell when the bucket of paint is getting low when the airless starts pumping really loud and doesn't stop. Simply tip the nearly empty bucket of paint, at an angle so that the mesh filter is covered and wait for the airless to catch up and stop pumping. Sometimes it's just easier to just to replace the bucket of paint with the new one and when that starts going down, pour the excess from the old bucket into the new one. Essential Guide to Paint. Paint is your passport to colour and arguably the easiest, least costly and most immediate way to transform a home. It can be as simple as brilliant white, but that would exclude all the other drop-dead gorgeous colours. Paradoxically, it's the vast choice that often poses a problem - there are just so many brands, types and shades on the market. Can you get a good paint job from a low buck paint shop? Yes! Professional paint pros and high dollar restorers may scoff, but it's very possible to get a good looking, long lasting paint job from a discount paint shop like Earl Scheib or Maaco. It's not appropriate for every car. I wouldn't hand them the keys to my Shelby GT500 or '53 Corvette, but for those on a budget it's a very good option. The key to a successful budget paint job is to prep the car yourself. Leave nothing to the shop except actually laying down the paint. (note: For purposes of discussion we'll use a classic Mustang as the example, but this process holds true to really any older car)