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Akbar (1556-1605) was the one who started encouraging of Mughal artist. After he had consolidated his political power, he built a new capital at Fatehpur Sikri where he collected artists from India and Persia. More than a hundred painters were employed, most of whom were Hindus from Gujarat, Gwalior and Kashmir. They worked under the two Persian master-artists Abdus Samad and Mir Sayyid Ali, but they were encouraged and inspired by Akbar.



Intensity refers to a colors brightness or saturation. Intensity refers to how pure a color is. For instance, if you were to use cadmium red straight from the tube, it would have a high intensity. If you were to mix it with another color however, its intensity would be diminished.



First consider the size of the painting. The more impressive the subject, the higher the emotions it appeals to, the bigger it is. Religious, mythological paintings are often huge - their massive energy makes you shiver. It is pretty understandable with figurative paintings like Rafael's "The Sistine Madonna", and more subtle with color field paintings of Mark Rothko. People are often overwhelmed with religious tremor in the presence of his artwork, and the size factors in. Also, the subject often calls for larger canvases - battle scenes need space and cannot be fitted into a smaller painting, while some subjects will get lost unless depicted in a smaller size.


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The correct roller to use depends on the texture of the wall. On smooth walls you will need a 1/2" nap and on textured surfaces it will be more like a 3/4" - 1" nap depending on how rough the texture is. I always recommend a lamb skin, it will lay the paint off the best and provide maximum coverage. A roller pole is also great for saving your back, shoulder and arms from repetitious bending over and extension. If you will be using the roller for a couple of days, the same rule applies as with the brush, seal it in plastic completely to preserve it for the next day. Do not leave the roller submersed in paint or water over night, this will cause premature failure, by releasing the skin from the hardboard backing it is attached to. If you will be rolling a rough texture, like a stucco, make sure to purchase a roller frame (arm) that is sturdy and will hold up to constant applied pressure.



Brass lighting fixtures and andirons may be polished and kept bright by coating with metal lacquers. The lacquers, held in cans under pressure, may be sprayed directly from the container. Old-fashioned or unattractive lighting fixtures may be painted with ceiling or wall paint to harmonize with the surrounding surfaces.



In repainting concrete floors, where the existing paint has been waxed and is in good condition except for some worn areas, the surface should be scrubbed with cloths saturated with turpentine or petroleum spirits and rubbed with steel wool while wet, to remove all wax before repainting. If this is not done, the paint will not adhere and dry satisfactorily, if the old paint is badly worn, it should be removed by treating with a solution of 2 lbs. of caustic soda (household lye) to 1 gallon of hot water. This may be mopped on the surface and allowed to remain for 30 minutes after which the floor can be washed with hot water and scraped with a wide steel scraper. Another method of application is to spread a thin layer of sawdust, which has been soaked in caustic solution over the floor and allow it to stand overnight. The following morning, the floor can be washed with hot water and the paint scraped off. The surface should then be rinsed thoroughly with clean water.