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THE COMPOSITION. Now go back to the subject and your first impressions about the painting. It's time to analyze how the artist made you feel the way you felt using the artistic means it his/her disposal. The composition is the position and the balance of the objects and figures in the space, the interrelation of their size, coloring, shading etc. How exactly does all that impact your perception? Let's dig in.



When you are including the finishing touches on a area with accessories, make sure that you remember this one important thing.. It is important to know which color is dominant. Do you desire for things to stay that way? Now highlight the main color with your accessories. Using accessories like paintings, throw pillows and baskets in bolder colors can help detract attention from other parts of the room.



Our next step is mixing the oil paint. DO NOT SKIP THIS STEP. Obviously you will need to buy some paint thinner, but the most important product you will need is Penetrol $12. Take a plastic quart cup that you will be painting out of and fill it up about three quarters with paint. Now mix in a couple of tablespoons of Penetrol and the slightest amount of thinner. Mix it up with a stick real good and you are ready to go. Why Penetrol? This product is the key to a fantastic looking job. Penetrol will not only smooth out the finish it will extend the time (usually about 20 minutes) before the paint starts to get sticky. This will allow you to apply a glass like finish and eliminate brush marks. We are going to apply two coats here as well so don't glob on the paint. When you are painting the door frames get used to the paint and watch your drips. After about ten minutes or so you will get used to how the paint flows and how damn good your finish looks. Allow to dry overnight before apply second coat. Tip: after you apply the second coat remove the tape and don't allow to dry first. You will get a little paint on your hands from the tape, but deal with it. By removing the tape now you will ensure crisp lines. In some case when you allow the second coat to dry you will pull a bit of the oil paint off. It is not common, but in my opinion why take the chance.


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THE STYLE / MOVEMENT. The fastest way to interpret a painting is to determine what movement it belongs to, or at least what movements and styles influenced the artist. The style influences the choice and treatment of the subject, the color, the perspective and the symbols. Impressionists, for instance, experimented with unusual perspectives - bird's eye or frog's eye; their brushwork is visible and the colors are laid separately to mix in the eye of the viewer rather than on the palette. In impressionism the light is more important than the people it bounces off - quite different from romanticism. In romanticism you have to be a poet, a revolutionary, a gypsy or a vagabond to make your way into the painting - they appreciated the bold spirit, the freedom and the people who were different.



Value refers to how light or dark a color is. Colors like pink or aqua are identified as colors of high value. Colors like maroon and navy are identified as colors of low value. If you produce a painting with predominately higher values, the painting is referred to as a "high key" painting. On the contrary, paintings produced with predominately lower values, are referred to as "low key".



Before applying water paints of the calcimine type to new plastered walls they should be sized, using either a glue-water size or, if the plaster is dry, a thin varnish or primer-sealer.