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OK, let's get started. Step one...supplies. You need a flat brush, a fan, a small detail brush and a couple of Filberts. A filbert is a rounded edge brush that lets you maneuver the paint easily without going outside the edges. Ultimately buy brushes that you like though, and make them work. Fans allow you to blend, for example. I use fans a lot and it's how I graduate color throughout my images. Everything I paint is by hand....no airbrushing or assistants. I want it to be an expression of me and nobody else. You also need an oil painting medium to mix with the oil paint to make it more fluid, and to speed or slow the drying process. Whichever you prefer. Go to the art store and don't be afraid to ask for help....they'll love helping you! A medium is merely an additive liquid which increases gloss, makes it flow easily, preserves the finish over time, keeps it from yellowing. I personally love Galkyd and Galkyd Lite. If that isn't available, buy a medium that looks like liquid amber and is kind of thick. Don't buy watery looking mediums....too hard to work with.



Emotional: I think every parent wants their child to be emotionally contented and stable, to have a strong sense of self worth and self esteem. Imaginative play gives children the opportunity to work through aspects of their lives they are struggling with. It allows them the space in which to examine and change and minimize consequences of their own actions and experiment with different end results to situations. This playing helps children "work through" difficult emotional situations and to develop positive coping strategies.



Can you get a good paint job from a low buck paint shop? Yes! Professional paint pros and high dollar restorers may scoff, but it's very possible to get a good looking, long lasting paint job from a discount paint shop like Earl Scheib or Maaco. It's not appropriate for every car. I wouldn't hand them the keys to my Shelby GT500 or '53 Corvette, but for those on a budget it's a very good option. The key to a successful budget paint job is to prep the car yourself. Leave nothing to the shop except actually laying down the paint. (note: For purposes of discussion we'll use a classic Mustang as the example, but this process holds true to really any older car)


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WOODWORK. · Check woodwork for damage. if there is one, patch it with a wood filler, dry it overnight and sand it for any rough spots and apply a sealer before painting. · If you'll be using the same paint on the walls and woodwork, paint the woodwork as you come to it. If it is another color of higher in gloss, wait until the walls are done. · Paint double-hung windows from the wood between the panes then outward. On casement windows, us the same technique, but keep the windows slightly open until the paint dries. · For panel doors, paint the decorative molded edges first, then the individual panels. Paint from the center out. When the panels are completed, paint the vertical and horizontal flat panels. · Use a painter's tape or painter's shield to keep paint off windowpanes. Do not use a masking tape or a duct tape. Using a painter's tape or painter's shield allows you to keep areas covered for up to 3 days. · Paint the top edge baseboards first, then the bottom along the floor. Paint the middle section last. · Remove cabinet doors and drawers and paint the flat surfaces first. Paint inside the edges, then move to the outer surfaces.



Bubbles in the existing paint are sure indications of rust below. These areas will require extra special attention. As you remove the bubbled paint you'll inevitably find the cancer goes much further then it appeared on the surface. And unless you cut all the rust out it's going to come back. There are chemical rust converters on the market, and some do a very good job. But understand that none will probably encapsulate rust forever. Be honest with yourself about how long you expect this paint job to last. If you expect to repaint the car in 5 years and you're on an extremely tight budget, then rust converters may be the approach to take.



OK, now let it dry overnight. The next day....or whenever you get around to it....mix a lot of Galkyd with just a little bit of color and glaze it over the first layer. Layer upon layer....allowing each layer to dry... is what makes paintings look finished and interesting and expensive in my view. Certainly you can paint wet on wet, as van Gogh did. But that's a much harder proposition we'll talk about later. You can put as many layers as you wish until you get your desired look. A thin glaze of Galkyd with just a little black works great on top of any dried color underneath. It give it an antique and finished look. But be careful not to add too much black. Don't worry, if you put too much just wipe it off and start over. That's the great thing about oil is it dries slower and you can tweak, correct, start over before it dries. Tip: a thin layer of yellow glaze looks good on top of almost any color too. A thin glaze of green looks good over blue, a thin glaze of blue looks good over purple. But ultimately you can pick and choose and experiment with which color to add to your glazes. There are no rules. Invent ones of your own. A thin glaze of yellow on top of a dried layer of red looks awesome. A thin layer of yellow on boring brown make it look like expensive and not-boring brown. You get the idea. But make the process your own and have fun with it. No one will ever do it quite the way you do, and that's what's interesting about the process.