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You scuff up existing paint for two reasons. First, you want to get rid of any oil, grease or dirt trapped in the top layer of paint. This is the stuff that cleaners and degreasers can't get off. The second reason to scuff is to set up a physical bond for the new primer and paint to adhere to. You want to give the old paint some tooth so the new sticks better.



Composition Wallboard. Composition wallboard usually presents no particular painting difficulties if the ordinary precautions are observed, such as making certain that the surface is dry and free from grease and oil. The painting procedure for wallboard is the same as for plaster; it requires a priming and sealing coat followed by whatever finishes coats are desired, or may be given one-coat flat or resin-emulsion type paint.



Selecting a Shop. You should always get quotes from at least 2-3 different shops near you. This will give you a chance to not only compare prices, but to also check out the quality of work each shop has done. Ask to see cars they've just painted. Look for orange peel or excessive overspray. Do they mostly do insurance work or do they paint entire cars also? What types of cars are they working on? A shop that sprays nothing but old beaters probably doesn't inspire as much confidence as one that does insurance work for the local Lexus or Mercedes dealer.


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Proper brush technique: When "cutting in" with a paint brush you should dip the brush in paint and tap the sides of the bucket on each side of the brush, leaving a good amount on the brush so you are able to minimize the times you will need to dip/load the brush. Next, take the brush and make a one foot to two foot line down the wall about an inch or two away from the trim or surface you are going to paint up next to, this is much like taking a knife full of butter and spreading it across an entire slice of bread. After, spreading the paint over the section, go back and even the paint out evenly across the section and cut up next to the trim with the brush. You want to paint up next to the trim or surfaced to be cut-in with the paint brush after you have released most of the paint on the wall, it is easier to cut in with the tips of the brush exposed and not loaded with a lot of paint.



So lets start with Warm and Cool. When thinking about Warm, think about a desert panorama of gold, brown and earth tones. When thinking about Cool think of colors in the artic such as gray, black, white or think of the deep blue sea such as deep blues, blue greens and turquoise. Everyone can wear just about any color, the difference is in the shade of the color. When thinking of clothing, makeup or accessories, visualize Cool as a color with a drop of silvery-blue. Visualize Warm as a color with a drop of gold. For example, if you put a drop of gold to a red sweater it becomes a Warm red, but if you put a drop of silvery blue it becomes a Cool red.



Make-up and quality All paints are made of four key ingredients: pigments, binders, liquids and additives. Generally speaking, the more pigment used to make the paint, the better the quality it will be: a ratio of 30 to 45 per cent binder and pigments by volume indicates a paint that will be durable and provide good coverage and lasting colour. Consider the following when you are faced with a wall of paint pots and are struggling with what to buy.