Both Edmund Spenser and William Shakespeare used folklore concerning the Fairy Queen to create characters and poetry, Spenser in The Faerie Queene and Shakespeare most notably in A Midsummer Night’s Dream. In The Faerie Queene, Spenser’s fairy queen is named Gloriana, and is also referred to as Tanaquill, which “appears to be an epithet for Gloriana, Queen of Faeries” derived from the name of the wife of Tarquinius Priscus. She is the daughter of Oberon, who in Shakespeare’s later play is married to Titania, a name derived from Ovid as an epithet of the Roman goddess Diana. Diana was regularly portrayed as the ruler of the fairy kingdom in demonological literature, such as King James VI of Scotland’s Daemonologie, which says that she belongs to “the fourth kind of spirits, which by the Gentiles [non-Jews] was called Diana and her wandering court, and amongst us is called Fairy (as I told you) or our good neighbours”.
Special Surfaces. WHITEWASH. Whitewashes and lime paints must be thin when applied. In fact, best results will be obtained if the application is so thin that the surface to which it is applied may easily be seen through the film while it is wet. The coating will dry opaque, but two thin Coats will give better results than one thick coat. The reasoning here is simple. Every color in the visible spectrum can be assigned a number based on a luminosity scale (a scale from light to dark) from 0 to 9 where white is 0 and black is 9. Now suppose that the brown you are trying to cover has a score of 8, and the yellow paint you want to apply has a 4. Proper brush technique: When "cutting in" with a paint brush you should dip the brush in paint and tap the sides of the bucket on each side of the brush, leaving a good amount on the brush so you are able to minimize the times you will need to dip/load the brush. Next, take the brush and make a one foot to two foot line down the wall about an inch or two away from the trim or surface you are going to paint up next to, this is much like taking a knife full of butter and spreading it across an entire slice of bread. After, spreading the paint over the section, go back and even the paint out evenly across the section and cut up next to the trim with the brush. You want to paint up next to the trim or surfaced to be cut-in with the paint brush after you have released most of the paint on the wall, it is easier to cut in with the tips of the brush exposed and not loaded with a lot of paint.
Even if you don't need to apply a coat of primer before your new coats of paint, doing so will always save you money. Whether you use white or tinted primer, a coat of primer is always more cost effective for one simple reason: It is cheaper! In fact, primer may cost as little as half as much as standard paint. If you get it tinted the same as your paint, then it is cheaper by the coat. If you use white, as in the first scenario above, it will also minimize the number of coats of paint you have to apply. Either way it reduces how much paint you have to buy. Do you want to learn more about maximizing your paint color coverage, minimizing your paint usage, optimizing coats, and perfecting your primer? Use Plain White Primer for Light Paint Colors. In our first case, if you decide to paint a wall in your house with a light yellow color, but the wall is currently a deep dark brown, you will go through bucket after bucket of paint trying to cover that brown, easily doing 4 - 6 coats or more. But if you put down a coat of white primer first, you could be done after 2 coats of paint. THE BACKROUND. Collect information on the artist and the historical background. To analyze "Guernica" by Picasso, you need to know that Guernica is a town demolished by the Nazi, and you have to read up on the essential features of cubism. To interpret the image of kissing people covered by a piece of cloth in Magritt's "The Lovers", whatever you guess by looking at the painting falls flat once you know that the artist's mother got drowned in the river, and when found, a piece of cloth was wrapped around her head. So, don't rely on your skills and taste too much, there are things you need to KNOW before you start making assumptions. The historical background of the paintings itself is important. Was the artist an innovator, did he start a new trend or movement, whose steps did he/she follow? What experiments was he involved with? How was the painting perceived by the contemporaries? Claude Monet started impressionism with the painting "Sunrise. Impressions". Malevych started suprematism as a development on abstractionism, laying out the new artistic theory of the color, the form and the composition of the painting. The rough lines and raw colors in the fauvist paintings may be traced back to Van Gogh. Do you think there is something new suggested in the painting you are looking at, or is there anything at all distinguishing about it? COMPLIMENTARY COLORS. These are colors that are opposite from one another on the color wheel. Red and green, blue and orange, yellow and violet, are examples of complimentary colors. Complimentary colors are colors of extreme contrast. When used together in a painting, they can produce brilliant vibrant images.