Flat or Dead-Flat Oil - Provides a completely flat, oil-based finish. Generally used on walls but not suitable for areas of high wear. Note: How to use an airless paint sprayer. I'm sure the guy at the rental store showed you how to use the airless (typically with his limited experience of actually painting a house), so hopefully I can offer you a couple new ideas on how to paint your home using an airless paint sprayer. When you first get the airless home, set it in the middle of the area that you would like to start painting. Typically the length of the hose is around 50'. Stretch out the hose prior to painting so that you don't have to worry about unraveling it while you are painting on a ladder. It is a good idea to have a 100' extension cord so that you can bring the airless anywhere you wish to paint without any restrictions. Tip: before you plug in the airless into the extension cord, MAKE SURE THE AIRLESS IS OFF! You don't want the airless to start pumping without paint! Now, when you go to set up the airless, before you turn it on, it's a good rule of thumb to have a second empty bucket next to your bucket of paint. I'll explain why in a second. Place both buckets side by side and place the intake hose (with the wire mesh filter end) into your 5 gallon bucket of paint while the primer hose (usually a lot smaller, about the size of a pencil'ish) is placed in the empty bucket of paint. Before you turn on the machine make sure that the airless is set to prime the machine first. There is a primer valve that you can rotate between prime and paint. A good way to see if the valve is set to prime or paint is to try this little test prior to turning the machine on. While turning the valve clockwise a couple times you will notice that the valve handle will separate from the machine in one position (leaving a slight crack between the valve and machine) while the other position the valve is close to the machine. The position in which the valve is separated from the machine is considered the primer position. Do this multiple times to see what I'm talking about. Don't worry if you keep on spinning the valve, you can spin it a million times in one direction and it won't hurt it. When choosing colours for exterior surfaces, consider the style of the brickwork or masonry of your home along with the colours used on nearby buildings, so as to pick colours that are sympathetic to these surroundings. Colours for fences and sheds should be selected with the same criteria in mind.
The lite version of Galkyd is simply thinner. I use it more than the other. I love it. Paintings I did 16 years ago using Galkyds look as pristine as the day I painted them. You'll also need a canvas and some paint. I buy a tube of red, green, blue, purple, yellow, brown, white and black. I prefer what's called Ivory Black and a soft mixing white as you'll add white to a lot of different colors to make lighter versions. From these basic colors you can make any exotic color by mixing them in combination's. Be creative and experiment. And don't be afraid of color, because color is the most popular in museums! The bright paintings are historically the crowd favorites. As for color variety from these basic colors, mix red and white to make pink, mix yellow with green to make lime green, white with blue to make light blue, white with black to make gray, etc. Use your common sense and play with it! You'll also need pencils, an eraser and some Turpentine or Turpentine substitute. Keep your brushes soaking in it in a plastic cup to keep them clean and ready for your next color choice.... and to keep them from drying out. EXTERIOR PAINTING. In buying paints that you are going to use for your exterior house, you have to pick a brand that has essential characteristics: hiding power, color retention, chalk-resistance, and blister resistance. Jaipur School: Gods and goddesses, kings and durbars are very attractively painted on hand made papers by the artists. Paint Selection. Most paints are purchased ready-mixed but, in their selection, consideration should be given to the fact that surfaces vary in their adaptability to paint and atmospheric or other conditions having an adverse effect on paint performance. In addition to the normal weathering action of sun and rain, outside house paints are sometimes exposed to other attacking elements, such as corrosive fumes from factories or excessive amounts of wind-driven dust.