Blue is the color of calmness and peace. It draws in and intoxicates. The strength of this color is as a rule underestimated. It creates precondition for deep reflection about life, calls to find the meaning and truth, it calls for not sensual but rather spiritual impressions.
Water-thinned interior paints are calcimine, casein, resin-emulsion, and gloss water paints. Calcimine consists of powdered whiting and clay mixed with an animal-glue binder and a preservative. It cannot be recoated, but can be easily washed off before redecorating.
How Much Paint You Really Need. How much paint you will need to satisfactorily complete a paint project is determined by 2 factors. The first, paint coverage, is a familiar concept to most people. It simply concerns the square footage of surface area to be painted, and "paint coverage calculators" abound on the web. However, the second concept, paint color coverage, has a much more pronounced effect on how much paint will be needed and the cost of paint projects. Unfortunately, paint color coverage is a novel concept to many painters and, in fact, is poorly understood even by many professionals. Knowing the secrets of paint color coverage will allow you to reduce the number coats you have to apply and minimize how much paint you have to buy.
Acrylic is the second new name for magic in paints. This is also a plastic-in-water. Solid acrylic you know as the beautiful, glasslike Plexiglas and Lucite.
Traditional Paints. Available from specialists such as Farrow & Ball and The Real Paint & Varnish Company, lime wash and distemper paints can be useful for restoration projects, although some of the contents are potentially hazardous and can irritate eyes and skin. Use the modern equivalents where possible, as these are usually safer and more effective.
Can you feel the rhythm in repeating some color or combination?
Step four: the key to a finished looking painting is to build it just like a house...and by that I mean layers. Paint it in the reverse order in which the eye sees it to make it three-dimensional. By this I mean paint what's farthest from the eye first, and build layer upon layer towards the eye. In other words, do the background first because it should be the farthest from the eye, then add the objects on top of that, and then add the shadows to complete the look. Ultimately it's common sense. If you paint a bowl of fruit, the bowl and fruit need to sit on top of that background, much as it would in real life.