The Wolf Cub scheme was started by The Boy Scouts Association in 1916, nine years after the idea of the Boy Scouts was conceived, in order to cater to the many younger boys who were too young to be Boy Scouts. During these first years many troops had either allowed younger boys to join or had set up unofficial junior or cadet Scout troops. In 1916, articles in the Headquarters Gazette (a then regular journal for leaders) outlined official “Junior Scout” then “Wolf Cub” schemes. However, Robert Baden-Powell wanted something quite different from a watered down Boy Scout program and recognized that too close an association between the junior program and the Boy Scouts would detract from both. Baden-Powell wanted a junior scheme with distinct name, uniform and other identity and program.
THE COMPOSITION. Now go back to the subject and your first impressions about the painting. It's time to analyze how the artist made you feel the way you felt using the artistic means it his/her disposal. The composition is the position and the balance of the objects and figures in the space, the interrelation of their size, coloring, shading etc. How exactly does all that impact your perception? Let's dig in. THE BRUSHWORK. Depending on the art movement and personal peculiarities of the artist, the brushwork can range from delicate and almost invisible to rough and plastic. Limewash - Made from slaked lime and water, this paint is good for porous surfaces such as brickwork, render and plaster and gives a chalky finish. It is available from specialist companies.
Painting in oil has long been a mysterious process the public has believed was relegated to the few and the eccentric. Artists and their lives have always been an unusual breed, but painting a large body of original oil paintings has also been a sure-fire way to drive oneself into immortality. The paintings will always be there, traveling through history, with your name on it! So by this definition it's definitely a noble profession. Think Dali, van Gogh, Picasso, Rembrandt and da Vinci. Each enjoys a lofty reputation for what others might consider crafts. And their reputations only grow bigger over time. What other profession offers that possibility? So who got the last laugh? Well, van Gogh did, of course. He's forever immortalized as one of the greatest humans to have ever lived. Not bad for someone who never made a dime in his own lifetime. But in the age of the Internet and the worldwide marketplace, artists don't have to starve anymore. I'm not starving, and I'm making money doing what I love. I can also work anywhere, whether I'm on vacation or traveling to exotic locales. I love that the most about it. I can do whatever I want and wherever I want, and post a painting for sale from Ibiza, Paris, London.... or Omaha. I wouldn't trade with anyone. And you won't either if you work at it and treat as a way to offer beauty to the world and get paid for it! Can you get a good paint job from a low buck paint shop? Yes! Professional paint pros and high dollar restorers may scoff, but it's very possible to get a good looking, long lasting paint job from a discount paint shop like Earl Scheib or Maaco. It's not appropriate for every car. I wouldn't hand them the keys to my Shelby GT500 or '53 Corvette, but for those on a budget it's a very good option. The key to a successful budget paint job is to prep the car yourself. Leave nothing to the shop except actually laying down the paint. (note: For purposes of discussion we'll use a classic Mustang as the example, but this process holds true to really any older car) Step five: pick your colors and start applying them to your penciled outlined images...make sure to mix the paints with a little Galkyd. Painting right out the tube is probably a bad idea, and it'll take forever to dry. Mix the Galkyd pretty evenly with the paint until you reach your desired thickness of paint. Less Galkyd keeps the paint thick. More makes it thinner. A safe start for a painting subject is a still life, like a bowl of fruit. No matter what you do...within reason...it'll look cool. You do not have to make a twig brown or an apple red just because nature says so. Use your imagination. Do something different. Collectors over time like to watch you evolve painting by painting anyway. So don't worry if your first painting stinks in your mind. It'll be interesting later once you're great. And by the way, most famous paintings have an under drawing, so they've used this layout technique I mention above. Sorry to tell you, most inspired paintings were planned out with pencil first. They did not happen spontaneously. They were built logically and in a defined order so that the end result looks right. WOODWORK. · Check woodwork for damage. if there is one, patch it with a wood filler, dry it overnight and sand it for any rough spots and apply a sealer before painting. · If you'll be using the same paint on the walls and woodwork, paint the woodwork as you come to it. If it is another color of higher in gloss, wait until the walls are done. · Paint double-hung windows from the wood between the panes then outward. On casement windows, us the same technique, but keep the windows slightly open until the paint dries. · For panel doors, paint the decorative molded edges first, then the individual panels. Paint from the center out. When the panels are completed, paint the vertical and horizontal flat panels. · Use a painter's tape or painter's shield to keep paint off windowpanes. Do not use a masking tape or a duct tape. Using a painter's tape or painter's shield allows you to keep areas covered for up to 3 days. · Paint the top edge baseboards first, then the bottom along the floor. Paint the middle section last. · Remove cabinet doors and drawers and paint the flat surfaces first. Paint inside the edges, then move to the outer surfaces.