Masonry Walls and Ceilings. Interior masonry walls and ceilings above grade may, in general, be painted in much the same manner as plaster surfaces. Here again, it is necessary to allow adequate time for the masonry to dry before applying paint and, in addition, attention should be given to the preparation of the surface. When decorating a wall containing Portland cement (concrete, for example), it is essential to take precautions against the attack of alkali. For this purpose, alkali-resistant primers such as rubber-base paints may be used when oil paints are to follow.
If rubber-base paint has been used, the caustic soda treatment may not be effective and it may be necessary to use an organic solvent type of paint remover. Caution: - When using caustic soda or lye, avoid splashing eyes, skin, and clothing.
Themes of Miniature Art Paintings. After the Mughal reign, which lasted 200 years, by the second part of the 18th century, the Rajput Maharajahs became independent. They employed these highly skilled artists to replace their own artisans, leading to a sort of painting renaissance in northern India. The whole of Rajasthan divided into numerous princely states, patronized miniature art painting. These states had evolved a characteristic style of their own.The paintings of this era have their own unique style, being influenced by the surroundings- the deserts, lakes, hills and valleys, as the case may.Colorful glimpses of history are provided by these paintings depicting hunting and court scenes, festivals, processions, animal and bird life, and scenes from the Raagmala and Raaslila -- Lord Krishna´s life story. Also, courtly lavishness and prosperity have been displayed.
Intensity refers to a colors brightness or saturation. Intensity refers to how pure a color is. For instance, if you were to use cadmium red straight from the tube, it would have a high intensity. If you were to mix it with another color however, its intensity would be diminished.
First consider the size of the painting. The more impressive the subject, the higher the emotions it appeals to, the bigger it is. Religious, mythological paintings are often huge - their massive energy makes you shiver. It is pretty understandable with figurative paintings like Rafael's "The Sistine Madonna", and more subtle with color field paintings of Mark Rothko. People are often overwhelmed with religious tremor in the presence of his artwork, and the size factors in. Also, the subject often calls for larger canvases - battle scenes need space and cannot be fitted into a smaller painting, while some subjects will get lost unless depicted in a smaller size.
Selecting a Shop. You should always get quotes from at least 2-3 different shops near you. This will give you a chance to not only compare prices, but to also check out the quality of work each shop has done. Ask to see cars they've just painted. Look for orange peel or excessive overspray. Do they mostly do insurance work or do they paint entire cars also? What types of cars are they working on? A shop that sprays nothing but old beaters probably doesn't inspire as much confidence as one that does insurance work for the local Lexus or Mercedes dealer.
Try before you buy Colour cards are fine for making an initial selection but you will want to see a true paint sample in situ before committing. Tester pots vary in price from £1 to £4. Paint onto a sheet of paper that you can move around the room to enable you to see the colour in different light conditions. The effect varies greatly. The window wall can seem dark while the wall opposite will be flooded with light. And of course there is a dramatic difference between natural and artificial light. Finally paint a patch directly onto the wall to gauge the colour, coverage and the final finish.