Now let's proceed to analyzing the center of the composition. There is an optical center in the middle - you will notice that the center of the composition, the major element will never be placed there, otherwise the scene will look artificial. The center of the composition will always be the most striking element, and the rest will just serve to make it more expressive. The artist may use various means to achieve this effect - the color contrasts, light and shade effects, size of objects and distance between them. Secondary elements are depicted with less detail and vigor - they have to bring forward the center, not block it. Notice the way your eyes travel the painting - intuitively you will start at the center and will proceed to the rest of the elements to refine the story.
Choose from historical hues for period homes; sleek chalky finishes that stand up to the rigours of modern life; or new formulas designed to suit all surfaces. By understanding the product you can unleash all the design possibilities of paint that make it such a tempting medium.
We use two eyes to read and the part of our brain that develops our language and auditory processes is on the opposite side to where our visual perception develops. We need visual perception to recognise the written letters and auditory processing to convert them to the sounds and words they represent. Therefore, we need good communication between both sides of the brain; this is bilateral integration. Children begin to develop bilateral integration through movement and playing in their environment with different objects and obstacles.
Are the contours rough or concealed?
Some manufacturers recommend their vinyl paints for interior as well as exterior use; others say no, not so good. There are vinyls made specifically for interiors.
Always use a sanding block for flat surfaces. Just your hand behind a thin piece of sand paper can leave grooves and low spots. It's also easier on your hands. For inside curves try wrapping the sand paper around a short section of garden or heater hose. This will help approximate the concave curve and help stay away from sanding through hard edges. On hard edges, like the top ridge of a fender or leading edge of a hood, you need to do this by hand. A sanding block will quickly dig right through the paint on a hard edge and take you down to bare metal. This means primer and more sanding.
TEMPERATURE OF COLOR. Colors have temperature, referred to as warm or cool. In painting, reds, yellows and oranges are referred to as warm colors and blues, violets and greens are referred to as cool colors. One of the biggest lessons you will ever learn about color temperature though, is that the appearance of color can change drastically depending on its surroundings. For instance, a certain yellow would appear much hotter if it were surrounded by a violet then say an orange. Another important lesson in color temperature: Warm colors will advance in a painting and cool colors recede.