Now let's proceed to analyzing the center of the composition. There is an optical center in the middle - you will notice that the center of the composition, the major element will never be placed there, otherwise the scene will look artificial. The center of the composition will always be the most striking element, and the rest will just serve to make it more expressive. The artist may use various means to achieve this effect - the color contrasts, light and shade effects, size of objects and distance between them. Secondary elements are depicted with less detail and vigor - they have to bring forward the center, not block it. Notice the way your eyes travel the painting - intuitively you will start at the center and will proceed to the rest of the elements to refine the story. Obviously, when mistakes like this occur paint companies have nothing to lose. Whenever people pick paint colors that they are unhappy with, the paint company does not have to refund the customers' money. In fact, no paint brand in the country will allow you to return paint once you have purchased it. Even better (for the paint company), since the customer is unhappy with the paint color they chose, they are probably just going to buy a whole new batch of paints! To balance color, you must grasp the interconnectedness of color schemes. All color interactions are defined in the color wheel, and it has been used to build color schemes for centuries.
EXTERIOR PAINTING. In buying paints that you are going to use for your exterior house, you have to pick a brand that has essential characteristics: hiding power, color retention, chalk-resistance, and blister resistance. Remember, you will need to clean the airless in that same fashion before you return the airless back to the rental company. New Paints Give You Pro's Skill. Painting your house will be easier than ever - if you get the right paint. But it's going to be harder than ever to pick it. Proper brush technique: When "cutting in" with a paint brush you should dip the brush in paint and tap the sides of the bucket on each side of the brush, leaving a good amount on the brush so you are able to minimize the times you will need to dip/load the brush. Next, take the brush and make a one foot to two foot line down the wall about an inch or two away from the trim or surface you are going to paint up next to, this is much like taking a knife full of butter and spreading it across an entire slice of bread. After, spreading the paint over the section, go back and even the paint out evenly across the section and cut up next to the trim with the brush. You want to paint up next to the trim or surfaced to be cut-in with the paint brush after you have released most of the paint on the wall, it is easier to cut in with the tips of the brush exposed and not loaded with a lot of paint.