Fire-retardant paints do not resist fires completely but its fire-resistance formulation prevents it from fire in spreading fast.
Solvent or oil-based paints are used where a tough, durable finish is required for interior and exterior timber, masonry and furniture - although, as mentioned above, the new generation of acrylics and multi-surface paints offers viable alternatives. In general, brushes need to be cleaned with turpentine or white spirit.
Red is the color of fire, it instills joy, strength and confidence in people. In some languages red is a synonym of beauty and wealth. But we shouldn't forget that it is also the most aggressive color - if there is too much of this color, it irritates and wears you out. On the other hand small accents of red in the interior cheer you up and put you into a good mood. If red is the predominant color in your interior, it sets you into active and determined mode.
Today, it is increasingly easy to source ecologically sound paints, as most specialist ranges, such as Ecos, Earthborn, Georgina Barrow and Auro are available via mail order. There is a wealth of colour options in these pre-mixed ranges that include lush shades and muted palettes, reflecting their natural ingredients. Ecos continues to lead the field. It has recently developed Atmosphere Purifying Paint, which absorbs and neutralises volatile chemicals, solvents and VOCs from the atmosphere in a home.
INTERIOR PAINTING. If you want to alter your room's ambience, painting it is a great option. When interior painting, use paints that are quicker to dry and does not have a strong odor that lingers around where your kids can smell it.
Satin or silk - Water-based vinyl or acrylic paint for walls in high-wear areas, such as hallways and kitchens. A satin finish will be slightly shinier than silk.
Step four: the key to a finished looking painting is to build it just like a house...and by that I mean layers. Paint it in the reverse order in which the eye sees it to make it three-dimensional. By this I mean paint what's farthest from the eye first, and build layer upon layer towards the eye. In other words, do the background first because it should be the farthest from the eye, then add the objects on top of that, and then add the shadows to complete the look. Ultimately it's common sense. If you paint a bowl of fruit, the bowl and fruit need to sit on top of that background, much as it would in real life.