THE BRUSHWORK. Depending on the art movement and personal peculiarities of the artist, the brushwork can range from delicate and almost invisible to rough and plastic. If you are grappling with the problem of choosing a woodwork colour to go with neutral walls, check out Architectural Colours by David Oliver, the founder of Paint & Paper Library. He arranged his off-whites for ceilings, cornices, walls and woodwork in chromatical groups and the concept has been so well received that chromatically arranged colours, such as soft greys, greens and pinks, have been introduced. Painting trim is normally done by roller and brush, not sprayed, so more manual labor is required painting trim, and most cases costing 60% of the total exterior painting job.
Cold water paints of the casein type may be applied either directly to a plastered surface, or the surface may be first given a coat of primer-sealer to equalize uneven suction effects. The same is true of resin-emulsion paints, with the recommendations of the manufacturer of the product being given preference in case of doubt. Since resin-emulsion paints usually contain some oil in the binder, they should ordinarily be applied only to plaster which has dried thoroughly. Now, decide WHAT you want to paint. Very important...you do NOT need to know how to draw. That's the great thing about painting, you can create even if you've never had a lesson. Don't get me wrong, art school is great. But don't let the lack thereof deter you from creating. You do not have to have a teacher to tell you how to create. You do need to know a few basic techniques, but from there let your imagination fly! When deciding what to paint, go to some websites about artists or Google famous artists to get inspired. Again, do not let a lack of training deter you from painting! Many of the great artists of the past had no training either. Many can't draw stick figures, but they can paint because the colors give you amazing options of expression! You may also go to my websites mentioned below or Google me to see all the crazy work I've created. My personal preference has been to create a large variety of work to keep it interesting and versatile. I did not want to be that artist who only painted one thing over and over. To me that's boring, and it should be boring to you too. Any known artist of the past has a vast variety of work. You'll also find that it makes it more interesting to you while you're doing it, because you won't ever get bored, you'll always be wondering how it'll turn out. Today, it is increasingly easy to source ecologically sound paints, as most specialist ranges, such as Ecos, Earthborn, Georgina Barrow and Auro are available via mail order. There is a wealth of colour options in these pre-mixed ranges that include lush shades and muted palettes, reflecting their natural ingredients. Ecos continues to lead the field. It has recently developed Atmosphere Purifying Paint, which absorbs and neutralises volatile chemicals, solvents and VOCs from the atmosphere in a home. Purple is the most contradicting color, to start at least because it consists of two antagonists: hot red and cold blue, ice and fire. It is the most mysterious color. It was the last color to emerge in art. Purple has a lot of other shades that are less rich and more lightened and muted: starting from light-lilac and going up to ashy gray-purple, which can give the interior a certain style and exquisiteness.