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Step three: go online and study the basics of shadow and light. It's a visual thing, and too complicated to talk about here. But once you see it, it'll come to you quickly. Simply Google "shadow and light in painting" and the basics will come up. Once you know these rules, you can apply it to any shape, any form, any painting. And it'll make you keenly aware of shadow and light on virtually any object on earth. It's what makes a painting three- dimensional and expensive looking. You can also buy art books on shadow and light at any bookstore. But make sure you sit down for a couple of hours and study it. It will come quickly to you, I promise.



SECONDARY COLORS. When you mix two primary colors together, you get a secondary color. The secondary colors are orange, green and violet. Orange is made by mixing red with yellow. Green is made by mixing blue and yellow. Violet is made my mixing blue with red.



Specialist paints also include some exciting new finishes, such as suede effects, metallics and high-sheen lacquers. Judy Smith, colour consultant at Crown, suggests an accent wall in one of these to lift a neutral scheme. Crown's Feature Wall range, which includes eight metallic finishes, nine bright colours and a highly reflective Pure Brilliant White, comes in convenient 1.25 litre tins.


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The perspective. Do you feel the distance between you and the painting? Are you an observer or a participant? The way you feel is dictated by the artistic choice - it's never a coincidence. An artist thoroughly selected the angle: you may look upwards, or downwards, or be at the same level with the objects depicted. If the horizon is at your eye level, the impression you will get is calm, stable. The high horizon will reveal more space, in landscapes it provides a majestic view. Paintings with the low horizon, so common with Dali, are monumental, highlighting the size of the objects and figures. The unusual views of Paris by Pissarro appeared as he painted from the hotel rooms.



A large whitewash brush is best for applying the wash. One should not attempt to brush out the coating, as in applying oil paint, but simply spread the whitewash on as evenly and quickly as possible.



CLEAN-UP and STORAGE or DISPOSAL TIPS. · If there are paint drops on your floor, don't let it stay there. As the paint sets longer, the harder it will be cleared. Use a cloth with soap and water or a solvent for cleaning. · Use a razor-blade scraper or a putty knife to chip off bigger paint droplets that have dried. · Use a scraper to trim around windowpanes. · Wash and dry paintbrushes and rollers. Store them according to the brand's recommendation not all paintbrushes have the same type of bristles nor the rollers have the same material. · Clean the paint from the rim of the can. Tap container lids tight with a hammer and block of wood. · Store solvent-based paint cans upside down to prevent a skin from forming. · Store your paints in normal or room temperature. Never put the paints in extreme hot or cold rooms. · Each states in the U.S. or every community/ county differs on paint can disposal methods. Check your local environmental, health, and safety laws.